churches to elaborate pageants enjoyed by many. The opening of the book sets the stage by exploring the exciting atmosphere of theatrical performances in medieval times, particularly referencing how these plays were originally presented in church settings. It describes the communal experience of audiences gathered to witness biblical stories acted out, making religious teachings accessible to those who could not read or write. Syrett introduces us to two children, Colin and Margery, who are eagerly anticipating the Feast of Corpus Christi, during which they will attend a series of miracle plays in York. This passionate introduction encapsulates the wonder and grandeur of both the performances and the medieval social context in which they flourished. (This is an automatically generated summary.)